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Process

The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.

Square
1

Square

A walk on the brick and a one-page note of stills versus motion. If a modifier will not travel into coverage, we split the day on paper.

Key
2

Key

Stills and motion share it. No second truck, no second white. Gels and diffusion are named before we leave Store Torv.

Select
3

Select

Tethered before the cloud moves. Selects happen while the key still exists.

Grade
4

Grade

Cool without going dead. Skin and brick share a decision. The show LUT is the stills LUT.

Hand
5

Hand

Masters labelled for print, Rec.709, 1:1 and 9:16. An archive a producer can open a year later.